Based on French fairytales.

During the final days of the Second World War, British intelligence sends an agent to Berlin to try to discover the secrets of Nazi Germany's nuclear weapons program.

Based on the Belarusian folk tale about the struggle of the hero Pokatygoroshek, born from a swallowed pea, with various kinds of evil spirits.

The Princess and the Pea follows the search of a small country family (the very large & robust Mama Pat and the thin & wise Papa Joe) to find a wife for their son (the hunky, but simple Billy Boy). Set in a Dr. Seuss-like realm of otherworldly landscapes near the end of the 19th century, these odd characters promise wealth to any princess who will marry their son. Princess Vee arrives, much to the suspicion of Mama and the disdain of Billy who doesn't want a "real princess," but a "real girl" to fall in love with. In homage to the classic fairytale, Mama devises a plan to test the Princess. In the process, the family discovers that Princess Vee is not a royal princess, but is something more unique. Futhermore, the wealth that the family offers is not money, but love and friendship. In the end, Billy Boy and Princess Vee ride off into the sunset and live happily ever after.

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Laura, a young noblewoman who grew up in a convent, is given in marriage to the baron of Carini, an overbearing and lustful man. The life of the young baroness seems destined for unhappiness until she meets Luca Corbara, who arrives in the country to find his origins.

Lloyd Daniels was one of the most gifted basketball players ever to emerge from New York City. He was born in Brooklyn in 1967 and grew up in the poorest neighborhoods of Brooklyn and Queens. His mother died when he was three, and his father deserted the family, leaving Lloyd an orphan to be raised by his two grandmothers. Virtually unsupervised, Lloyd learned early-on how to hustle to survive. Hustling came easy for him because he was a charming and likable kid. He still hustles to this day.

Documentary on the life and art of Marie Cermínová AKA Toyen or “the baroness” to her friends. Long considered a marginal figure, it was not until her death in 1980, when her estate was auctioned off, that Toyen’s masterpieces finally saw the light of day. This film is a portrait of an important figure of the European artistic avant-garde in the 20th century.

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Images and sounds are spliced together in this journey to the heart of the political, economic and cultural oppression of the Quebec people. A reflection on neo-colonial exploitation and the cancer of alienation. To the very Canadian multiculturalism of Trudeau and the métissage of the multinationals, celebrated by the high priests of the dominant ideology, is contrasted the idea of acculturation, even deculturation. A way of resisting as good as any other.